A brief history
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For more than four decades, Fender electric guitars and amplifiers have had a tremendous influence on the way the world composes, plays and listens to music. While guitarists in the early part of this century played country, folk or blues on acoustic guitars, in the 1930's, jazz musicians experimented with amplifying traditional hollow-body guitars so they could play with other instruments at the same sound level. One problem was that the speakers and pickups tended to generate feedback when played at a high level.
The Fender serial number decoder currently supports all documented MIA, MIJ, MIM, MIK and MII formats with the exception of Custom Shop, Relic and Reissue instruments. Please note that fender serial numbers tend to overlap by at least a year, and thereby the date of your guitar can only be approximated. The DeArmond guitars were all, or mostly, based on Guild models of yesteryear. Once Fender entered into a distribution deal with Gretsch, they discontinued all the Guild and DeArmond electrics. This is interesting because Fender doesn't own Gretsch, but they favor them over Guild, which they do own. OFC Members Serial Number List, OvationGallery.com. — Ovation early serial numbers, Josh White and Balladeer models ^ 'Custom Legend 1769 ADII Al Di Meola: The ultimate Ovation'. Archived from the original on January 8, 2014. Retrieved February 8, 2012. ^ 'Ovation Features - The LX Upgrade'.
In the 1940's, a California inventor named Leo Fender had made some custom guitars and amplifiers in his radio shop. Eventually, Leo would create the world's very first instrument amplifiers with built-in tone controls.
More importantly, though, was Leo's vision of better guitar. With his knowledge of existing technologies, he knew he could improve on contemporary amplified hollow-body instruments . . . and improve upon them, he did.
In 1951, he introduced the Broadcaster, the prototype solid-body guitar that would eventually become the legendary Telecaster®. The Tele®, as it became affectionately known, was the first solid-body electric Spanish-style guitar ever to go into commercial production. Soon to follow the Tele were the revolutionary Precision Bass® guitar in 1951, and the Stratocaster® in 1954.
In 1965, because of poor health, Leo Fender sold his company to corporate giant CBS. Over the next two decades, Fender Musical Instruments experienced some tremendous growth. But as time wore on, CBS's lack of commitment and real understanding of music and musicians was becoming apparent. (1955 Ad shown, Santa Ana location)
In 1981, CBS recruited a new management team to 're-invent' Fender. William Schultz was soon named President, and was supported by associates William Mendello and Kurt Hemrich. They had developed a five-year business plan based on the idea of increasing Fender's presence in the marketplace by dramatically improving quality and making a significant commitment to research and development. This association continued until CBS decided to divest itself from the non-broadcast media business.
So, in 1985, a group of employees and investors led by William Schultz purchased the company from CBS. This sale put Fender in the hands of a small group of musically dedicated people who have committed their lives to creating the world's best guitars and amplifiers.
The team had to start from scratch - there were no buildings or machines included in the deal. They owned only the name, the patents, and the parts that were left over in stock. Supported by a core group of loyal employees, dealers and suppliers - some of whom had been with the company since Leo Fender began making guitars and amplifiers - Bill Schultz and his colleagues set out to re-build an American icon.
Initially, Fender imported their guitars from offshore manufacturers who had proven their ability to produce affordable, viable instruments. But the quest for even more control over quality soon led to the construction of Fender's flagship domestic factory in Corona, California. Eventually, Fender would build a second modern manufacturing facility in Ensenada, Baja California, Mexico, with the goal of being able to build quality instruments and offer them at more budget-oriented prices.
In 1987, Fender acquired Sunn, a storied line of amplifiers whose past endorsees have included The Who, Jimi Hendrix and The Rolling Stones. This jump-started Fender's re-entry into the amplifier business by making accessible Sunn's manufacturing facilities in Lake Oswego, Oregon. But this was still an early stage of the 'new' Fender, so Schultz put the Sunn line of amps on the shelf until the Fender name had been re-established as the world's leading amplifier.
Fender has always recognized the importance of an open-door policy for the professional musician. When artists first started requesting specific features for their guitars, they were accommodated on an individual basis. These relationships led to the formalizing of Fender's custom operation in 1987. Today, the world's greatest guitarists work with the renowned Fender Custom Shop in Corona, California, to create their dream instruments. Recently, Fender has added amplifiers to the list of custom-made instruments that can be produced at the Custom Shop in Corona.
In 1991, Fender moved its corporate headquarters from Corona to Scottsdale, Arizona. From here, administration, marketing, advertising, sales and export teams oversee the operations of Fender's satellite facilities around the world, which now include the locations in the United States (California, Tennessee, New York and Rhode Island), as well as international operations in: Ensenada, Baja California, Mexico; London, England; Dusseldorf, Germany; Suresnes, France; Brussels; Japan; Korea; and China.
Also brought to Scottsdale at this time was Fender's Amplifier and Pro Audio Research & Development. With guitar amplifiers, Fender sets the standard for sound and value. Its R & D staff has pioneered many technological advancements in developing amplifiers that meet the needs of the performing musician. In late 1992, the Amp Custom Shop was opened in Scottsdale, Arizona, to offer custom and limited editions of professional amplifiers for working musicians.
Recognizing that country music and acoustic guitars were increasing in popularity, Fender expanded upon its acoustic guitar line. In addition to working with respected manufacturers in Japan, Korea and China to produce quality acoustic guitars, the company has become the exclusive North American distributor of the prestigious Manuel Rodriguez line of nylon-stringed guitars, which have been hand-crafted in Spain by the Rodriguez family since 1905. These additions have put the company in an excellent position for growth within the acoustic guitar market.
Founded in a loft in New York City in 1952, Guild Guitar Company continues to be known for its quality instruments and exceptional value. Faced with internal financial troubles in the early 1990's, Guild management had decided to sell the company. Fender acquired Guild in 1995, signaling a return to ownership by a group of people dedicated to producing the finest value in American-made acoustic and electric guitars. Today, Guilds are still being produced at its historic, 60,000 square-foot facility in Westerly, Rhode Island.
1998 would prove to be a banner year for Fender and its subsidiaries. With Fender amplifiers once again enjoying a very strong presence in the market place, it was now time to dust off the Sunn line of amps. R&D had spent the previous three years studying the original Sunn products and developing prototype models that faithfully replicated the trademark Sunn sound. The timing was right, and Fender introduced the new Sunn line of amplifiers to an immediate industry acclaim.
And for Guild, 1998 brought the expansion of its Custom Shop in Nashville, Tennessee. First opened in 1996, the new Guild Custom Shop boasts an 8,000 square-foot , climate controlled facility near downtown Nashville that allows a great deal of extra space for production and storage of raw materials.
Guild had also introduced DeArmond guitars in 1998. Fender had purchased the DeArmond brand of musical instrument pickups in 1997, and then combined the company with Guild to produce an alternative line of high quality, affordable guitars and basses that are modeled after Guild designs. The guitars themselves are built and assembled in Korea before being sent back to Corona, where they are fitted with American-made DeArmond pickups. Following their successful test runs in European and Asian markets, DeArmond guitars were introduced to American and Canadian consumers and received instant acclaim as an exceptional value.
But the biggest event for Fender in 1998 was the opening of its new state-of-the-art manufacturing facility in Corona. The 177,000 square-foot facility was built on a nineteen acre site, with over half of that space set aside for future growth, and is the culmination of a vision that at times seemed almost impossible. The entire line of American-made Fender guitars are built at the Corona factory, which is capable of making over 350 guitars each day. In addition, the Corona facility utilizes the innovative UVOXÔ system, which combines ultraviolet light, a special scrubber process, and a carbon bed absorption system to help ensure that the air emitted from the factory is 95% clean. The new factory is not only a state-of-the-art manufacturing facility, but a tribute to how a group of dedicated individuals, when they set their minds to it, can create the 'impossible'.
The Fender Custom Shop also shares space at the new facility. Over fifty artisans now work at the Custom Shop, offering the world's finest custom made instruments to professional musicians, as well as a complete line of hand-crafted replications of classic Fender models. And to complete the Corona operation, the amplifier Custom Shop was brought back from Scottsdale and folded into the guitar Custom Shop.
Simultaneously, a new 70,000 square-foot addition was completed at the Ensenada facility. The extra space was added to bring amplifier production, aside from those produced at the Custom Shop, into one main facility.
During the past decade, Fender has grown dramatically in sales and stature. The company manufactures and distributes virtually everything that a guitarist needs to perform, from the guitar, strings and accessories, to the pro audio products including amplifiers and mixing boards. Today, under Schultz's direction, Fender Musical Instruments Corporation is a world leader in the manufacturing and distribution of electric guitars and amplifiers.
Fender became the world leader by defining the sounds we hear, meeting the needs of musicians, creating quality products and backing them up with service and stability. As Fender Musical Instruments Corporation forges through the 1990's and into the 21st century, its management team will maintain Fender's number-one status through a winning combination of business acumen and a love of music.
Subsidiary | |
Industry | Musical instrument |
---|---|
Founded | 1952; 68 years ago |
Founder | Alfred Dronge |
Headquarters | , |
Area served | Worldwide |
Products | Acoustic & electric guitars Bass guitars |
Parent | Córdoba Music Group |
Website | guildguitars.com |
Dearmond Guitars Serial Numbers Free
The Guild Guitar Company is a United States-based guitar manufacturer founded in 1952 by Alfred Dronge, a guitarist and music-store owner, and George Mann, a former executive with the Epiphone Guitar Company. The brand name currently exists as a brand under Córdoba Music Group.[1]
Origin[edit]
BeatleJohn Lennon's 1966 Guild Starfire XII twelve-string
A 1979 Guild D25M
A-150 Savoy
Richie Havens, who famously played a Guild at Woodstock, performing in 2006 with a D40
The first Guild workshop was located in Manhattan, New York, where Dronge (who soon took over full ownership) focused on electric and acoustic archtop jazz guitars. Much of the initial workforce consisted of former Epiphone workers who lost their jobs following their 1951 strike and the subsequent relocation of the company from Queens to Philadelphia.[2] Rapid expansion forced the company to move to much larger quarters, on Newark St. in Hoboken, New Jersey, in the old R. Neumann Leathers building.[3] The advent of the folk music craze in the early '60s had shifted the company into production of an important line of acoustic folk and blues guitars, including a dreadnought series (D-40, D-50 and, later, D-55) that competed successfully with Martin's D-18 and D-28 models, and jumbo and Grand Concert 'F' models that were particularly popular with blues guitarists like Dave Van Ronk. Notable also was the Guild 12-string guitar, which used a Jumbo 'F' body and dual truss rods in the neck to produce a workhorse instrument with a deep, rich tone distinctive from the chimier twelve-strings put out by Martin.
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The company continued to expand, and was sold to the Avnet Corporation, which moved production to Westerly, Rhode Island, in 1966. As the folk scene quieted, a new generation of folk-rockers took Guild guitars on stage. The most notable Guild performance of that era was on the D-40 that Richie Havens played when he opened the Woodstock Festival in 1969.
During the 1960s, Guild moved aggressively into the electric guitar market, successfully promoting the Starfire line of semi-acoustic (Starfire I, II & III) and semi-solid (Starfire IV, V & VI) guitars and basses. A number of early West-Coast psychedelic bands used these instruments, notably guitarists Bob Weir and Jerry Garcia and bassist Phil Lesh of the Grateful Dead, as well as Jefferson Airplane's bassist Jack Casady. Instrument maker Alembic started their transition from sound and recording work to instrument building by modifying Lesh & Casady's Starfire basses. The rare S-200 Thunderbird solid body electric was used by Muddy Waters and The Lovin' Spoonful's Zal Yanovsky. Inspired by seeing Muddy Waters, Ross Hannaford acquired a Thunderbird, which he used extensively in the period that he played in popular Australian 1970s band Daddy Cool.
Guild also successfully manufactured the first dreadnought acoustic guitar with a 'cut-away' in its lower shoulder to allow better access to the lower frets, the D40-C. In 1972, under Guild's new president Leon Tell, noteworthy guitarist/designer Richard 'Rick' Excellente came up with the design. It is still made, copied by virtually every guitar manufacturer.
The decline of the folk and acoustic market in the later '70s and early '80s put severe economic pressure on the company. While instrument specialists generally concede that quality suffered at other American competitors, Guild models from the '70s and '80s are considered still made to the high-quality standards the Westerly plant was known for. In the 1980s, Guild introduced a series of Superstrat solid bodies including models such as the Flyer, Aviator, Liberator and Detonator, the Tele-style T-200 and T-250 (endorsed by Roy Buchanan) and the Pilot Bass, available in fretted, fretless, and 4- and 5-string versions. These guitars were the first Guild instruments to bear slim pointed headstocks, sometimes called 'pointy droopy', 'duck foot' and 'cake knife' for their distinctive shape.
Fender era[edit]
Swedish singer Sofia Talvik playing with a Guild in 2010.
2013 Guild hollowbodies.
After several changes in management and ownership, Guild was eventually purchased by the Fender Musical Instruments Corporation in 1995. In late 2001, Fender decided to shut down the Westerly, RI factory (citing difficulty in climate control and factory production workflow as primary motives)[4] and moved all Guild production to its factory in Corona, California. To ease the Corona facility (which had only made electric guitars up to this point) into making archtop and acoustic guitars, the Westerly factory artisans and workers prepared guitar 'kits' that they shipped to Corona. These kits were near-complete production guitars that only needed finishing and final assembly before being sent to retailers.
Production in Corona was short-lived, however, as Fender acquired the assets of Washington-based Tacoma Guitar Company in 2004, and moved all American Guild acoustic guitar production to Tacoma, Washington and discontinued production of US-made Guild electric guitars completely.
In 2008, Fender again moved Guild when it acquired Kaman Music Corporation and its small production facility in New Hartford, Connecticut, where hand production of all US-made Guilds resumed in a manner consistent with other high-end, boutique guitar builders. The New Hartford Guild facility began production in early 2009, starting with the top-end D-55 and F-50 models. Production quickly ramped up to include most of the popular Traditional Series acoustic guitar models. Adobe photoshop cs2 paradox keygen indir gezginler. Acoustic-Electric versions of these models were also made available. Starting with 2012 models, all US-built Guild Traditional Series guitars were available in right- and left-handed configurations.
In 2011, Traditional Series models' were improved by means of a new DTAR pickup system (DTAR-MS, for 'multi-source'), which allows blending between an internal microphone element and an under-saddle transducer. Previous DTAR configurations only included an under-saddle transducer. Also, hard shell case material was upgraded to a high-end, faux alligator skin material with crushed velvet interior padding, closely resembling the Custom Shop guitar cases that Guild had used when its Custom Shop was open.
In late 2010, Guild released its Standard Series acoustic guitars, which were US-built guitars (still manufactured in the New Hartford, Connecticut facility) that were based on models from their top-end Traditional Series. Stanadyne fuel injection pump manual. Differences in ornamentation and instrument finish options made them more affordable. Standard Series models included the F-30, F-30R, F-50, D-40, D-50, and the return of the F-212XL 12-string model.All Standard Series models featured red spruce bracing, satin mahogany necks, and bone saddles, nuts, and bridge pins, but have lower-grade wood[citation needed] and different ornamentation than their Traditional Series counterparts.
In 2011, cutaway acoustic-electric versions of all Standard Series models were released. These guitars featured venetian cutaways and a DTAR 18V under-saddle pickup system. These models can be identified by the 'CE' suffix at the end of the guitar's model number. All Guild guitars come with hard shell cases.
The New Hartford facility had also created a new line of specialty, limited edition guitars, referred to as the GSR Series. The GSR designation stands for 'Guild Special Run.' This series was first revealed to Guild dealers at Guild's dealer-only factory tour in mid-2009 called the 'Guild Summit Retreat'. These models featured unique takes on classic Guild Traditional Series models. GSR models include the F-20 (figured Cocbolo), F-30R (master-grade Rosewood), F-40 (figured Cocobolo), F-50 (figured Koa), and D-50 (figured Cocobolo), and Guild's only electric guitar to be produced since 2003, the GSR Starfire VI (only 20 produced). Each of these instruments features unique designs, wood selection, ornamentation, and has extremely limited production numbers.
Cordoba era[edit]
In the late spring/early summer of 2014, Fender's New Hartford Guild facility closed its doors as FMIC prepared to sell off the Guild brand. Cordoba Music Group (CMG), Based in Santa Monica, California, stepped in and purchased the Guild brand rights and began setting up a new manufacturing facility in Oxnard, California, led by Gibson alum Ren Ferguson as the VP of Manufacturing and R&D.[5] Cordoba started production in late 2015, releasing its first models (M-20 and D-20) in early 2016. Higher-end models like the D-55 were released in late 2017.
Guild Import brands[edit]
In the early seventies, Guild began to form import brands for acoustic and electric guitars made in Asia. Billie holiday the complete commodore recordings rar download. There was a total of 3 import brands: Madeira, Burnside, and DeArmond.
Madeira Acoustic and Electric Guitars were import guitars based on existing Guild designs. They are characterized by their substantially unique pickguard shape and differing headstock.
Similarly to Madeira, Burnside Electric Guitars were Guild electric guitar designs (typically of super-Strat delineation) manufactured outside the United States. The headstocks on these guitars read 'Burnside by Guild.' Both brands were discontinued in the early '90s. Rare drum breaks rar download.
After Fender purchased Guild in the mid '90s, reissues of some Guild electric guitars were manufactured in Korea under the DeArmond brand name, which Fender also owned the rights to. Import reissue models included the Starfire, X155, T400, M-75 Bluesbird, S-73, and Pilot Bass series. Vertex ce59 software download. On the front of the headstock, these instruments display the DeArmond logo above a modified version of Guild's Chesterfield logo. On early production versions, the truss rod cover is stenciled with the word 'Guild' stylized and the DeArmond reissue model number, and the back of the headstock is stenciled with 'DeArmond by Guild' above the guitar's serial number. Later production versions drop all references to the Guild brand name except for a modified Chesterfield headstock inlay on most models. The DeArmond line also included other less expensive models similar in design to the Guild reissues and manufactured in Indonesia. The DeArmond brand was discontinued in the early 2000s.
While not a discrete brand, in the early 2000s, FMIC created a new line of Guild acoustic guitars called the GAD-series, which stood for 'Guild Acoustic Design.' As with the other import lines, these guitars were based on past and present Guild acoustic guitar designs, but were built in China. All of these models were designated with a 'GAD' as a model prefix. These guitars featured poly finishes (as opposed to traditional nitrocellulose lacquer on US models) and nondescript wood grading. FMIC did not choose to create this line under a different brand name, but left it as a new series of guitars from Guild. This choice caused confusion for buyers, as it marked the first time that an import had actually donned the Guild brand name, which had previously only been used to describe US-made guitars. Because of this, it was no longer immediately clear if a Guild-branded guitar is a US-made model or an import, although the GAD models usually had unique ornamentation.
The 2011 GAD models brought new features, looks, and model numbers. These new GAD-series Guild guitars could be identified with a number 1 as the first number in the model number. For example, a US-built F-50R's GAD-level version would be called an F-150R. Similarly, a US-built F-512 would be an F-1512 as a GAD version.
With Cordoba taking over as owners of the Guild brand, as of May, 2015, the GAD line-up was discontinued,[6] but 2 newly formed lines, Westerly Collection (acoustics) and Newark Street (electrics) were revealed, which also aimed to pay homage Guild's production history that took place at those locations (with the Newark Street address alluding to a link with the Hoboken factory).[7] The Westerly Collection line-up includes a variety of guitars made with solid wood tops/laminate sides & body; and, solid wood tops/solid wood sides & solid wood backs.[8]
Notable users of Guild guitars[edit]
- Ian Hunter-S100
- Bryan Adams – F-50R
- Ryan Adams – D-25M
- Billie Joe Armstrong – D-55
- Dan Auerbach – Thunderbird S-200
- Elek Bacsik – Stuart X-500 + Charlie Christian style single coil pickup
- Joan Baez – F30R
- George Barnes (musician) – George Barnes Acousti-Lectric, George Barnes Guitar in F
- Richard Barone – X-500 (Cool Blue Halo album)
- Brendan Benson – 1959 Aristocrat
- George Benson – [9]
- A.A. Bondy – T-100D (slim jim)
- Paul Bonin – F65CE
- Zeta Bosio – Guild Pilot Bass
- Greg Brown – Starfire III
- Creed Bratton – Bluesbird
- Roy Buchanan – T-200 and T-250
- Jeff Buckley – 1967 Guild F-50
- Charlie Byrd – Mark VI
- Mya Byrne – F20, F30, D35
- Larry Carlton – Bluesbird
- Jack Casady – Starfire bass
- John Denver – Various
- Jerry Cantrell – JF55 - MTV Unplugged
- Gustavo Cerati – Guild F4CE
- Peter Cetera – F612
- Eric Clapton – F-30, GF-60, S4CE/Songbird
- Judy Collins – F312
- Sheryl Crow – M-85 bass, B-301 bass
- Rick Danko – F-50
- Dave Davies – Starfire III, F-512 NT 12-string
- John Denver – F-50R, F-212XL and F-612 (custom)
- Nick Drake – M20
- David James Elliott as Cmdr. Harmon Rabb Jr. – D-50CE (special edition sunburst)
- Brian Erickson – 1983 D-25
- Duke Erikson – Starfire III
- Nick Falcon – X-170 Manhattan
- Leslie Feist – 1965 Starfire IV
- The Felice Brothers – T100D (SLIM JIM) & Guild D4 acoustic
- Tom Fogerty – Starfire
- James Blackshaw – various Guild 12-string models
- Jerry Garcia – Starfire III
- Yonatan Gat – Thunderbird S200
- Barry Gibb – Songbird BG (stands for Barry Gibb) & X-375
- Dave Gonzalez – X-550 Paladin
- Andy Hackett – 1967 Starfire VI and 1964 Thunderbird S200
- Mary Halvorson - X500 Archtop
- Peter Hammill - M75 Bluesbird named Meurglys III
- Mick Harvey – Starfire IV
- Hayden – Starfire III, CE-100D
- Justin Hayward – JF-65
- John Herman – B-302 Bass
- Hank Hill – 1963 Solid Top
- Chris Hillman – Starfire Bass
- Roger Hodgson – F-412 and F-512
- Susanna Hoffs – Starfire XII
- Lightnin' Hopkins – Starfire IV
- Shannon Hoon – JF-30
- Ian Hunter-S100
- Mississippi John Hurt – F-30
- Glenn Jones (guitarist) – D-50, F-512 12-String
- Tim Kinsella – Guild S-100 (70's Acorn Leaf)
- Aidan Knight Guild T100 + Guild M-65 Freshman
- Mark Knopfler – Songbird
- Nikki Lane - M20
- Phil Lesh – Starfire bass
- Lera Lynn – Starfire III, T-50[10]
- Chet Lyster Starfire V (60's vintage)
- Bryn Merrick - Guild B302 Bass
- John Mayer Where The Light Is – Trio Set
- Barry McGuire – F-212 12-string
- Ellen McIlwaine – S-250, S-500-D
- Pat Metheny – D40-C, F-50
- Michael Nesmith – JF-30
- Pelle Ossler – Starfire
- Jeff McDonald – Thunderbird
- Nathen Page – Starfire IV SN EL135
- Tom Petty – D25-12
- Joe Walsh –
- Jesse Quin – Starfire
- John Renbourn – D-55[11] (ca. 1975-85)
- Daniel Rossen – T-50
- John Rzeznik – Many D-55s, F65CE, F47M Valencia, S7CE Custom, S4CE, DV-52, and more, mostly during the late Westerly and early Corona eras.
- Son Seals – Starfire IV
- Chris Seefried – Guild Starfire, Guild D 212
- Randall Shawver – Guild X-88 Flying Star
- Paul Simon – F-30 and F-212 12-string
- Megan Slankard – D-55
- Claydes Charles Smith – X-350
- Robert Smith - Custom Ebony JF-30 12string
- Tommy Smothers – D-55 (TV model)
- Bruce Springsteen – D-40SB
- Stephen Stills – X-500
- George Strait – Custom Shop D-100
- Sofia Talvik – 1984 D-25
- Kim Thayil – Guild S-100
- Peter Tork – Jetstar Bass
- Ralph Towner – F-212C and F-512
- Lonnie_Donegan - F-512
- Pete Townshend – F-512 NT
- Dave Van Ronk – F-50R
- Steve Van Zandt – X-79 (zebra pattern)
- Stevie Ray Vaughan – JF-65 12-string
- Suzanne Vega in mid-1980s
- Muddy Waters – S-200 Thunderbird
- Bob Weir – Starfire V, F50r
- Gillian Welch – D-25M
- Bert Weedon – Starfire (signature model - early sixties)
- Hank Williams III – G37 Sunburst
- Zal Yanovsky – S-200 Thunderbird
- Fred Cole – S-200 Thunderbird
- Paul Weller – Guild F47mce
- Sivert Høyem – F-512 12-string
References[edit]
Serial Numbers Microsoft
- ^'Fender Musical Instruments Corporation to Sell Guild Guitars Brand to Cordoba Music Group'. Guitarworld.com. Retrieved 30 October 2017.
- ^Acoustic Guitars: The Illustrated Encyclopedia by Tony Bacon and Michael Wright. Chartwell Publications, 2018 ISBN0785835717 pg 62
- ^'Owner's Manual and Warranty, p.2'(PDF). Support.guildguitars.com. 2007. Retrieved 12 September 2013.
- ^Pilzer, Jay. 'Guild in the Post-Fender Era'. Vintage Guitar. Retrieved 6 October 2019.
- ^'MMR magazine - Cordoba Names Ren Ferguson VP of Manufacturing/R&D for Guild Brand'. Mmrmagazine.com. Retrieved 30 October 2017.
- ^'Introducing: The Westerly Collection - Guild Guitars'. Guildguitars.com. Retrieved 30 October 2017.
- ^'History & Heritage - Guild Guitars'. Guildguitars.com. Retrieved 30 October 2017.
- ^'Westerly Collection - Guild Guitars'. Guildguitars.com. Retrieved 30 October 2017.
- ^Moust, H. (1995). The Guild Guitar Book. GuitArchives.com. pp. 82, 137. ISBN0-634-00966-4.. The photograph of Benson accompanying an interview with him in the Guitar Player Book, published in the 1970s, shows him holding a Guild Artist Award with its strings removed.
- ^Artist to watch: Lera Lynn
- ^'Guitars'. John Renbourn. Retrieved 2014-06-12.
Bibliography[edit]
- Acoustic Guitars: The Illustrated Encyclopedia. New York: Chartwell Books. 2011. ISBN978-0-7858-3571-4.
- Hans Moust (1995) The Guild Guitar Book. Hal Leonard Corporation. Roger Hodgson - F-512, Ted Kaplan (aka Teddy Rose) - F212/F412xl
Dearmond Guitars Serial Numbers
External links[edit]
Wikimedia Commons has media related to Guild guitars. |
Dearmond Guitars Serial Numbers List
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